Lanre
Hassan-Adeshina started acting at a young age about 50 years ago, and the
woman, who is better known as Iya Awero, has practically seen it all in
theatre. She teamed up with the likes of the late Ojo Ladipo (Baba Mero) from
where they formed Ojo Ladipo Theatre group, which became Awada Kerikeri
Organisation after the death of Ojo Ladipo in 1978.
Iya Awero
has been consistent since then; acting in several stage plays, celluloid films
and she is still relevant in the era of Nollywood. Not only that, Lanre Hassan
features in several English soaps on the Nigerian television.
The veteran
thespian, who crossed many hurdles from her parents and hubby to follow her
passion, was naturally shaken by the death of two of her children in 1974 and
1978, but she remains resolute and has vowed to continue to be part of the
glamorous movie industry until death do them apart.
Iya Awero
spoke on the story of her life as she prepares to celebrate 50 years on stage
on Sunday 2nd June at the Blue Roof, LTV 8, Agidingbi, Ikeja, Lagos.
Is acting what you actually set out to do
in life initially
It started
when I was in school, Saint Peters School in Lagos, I came from a polygamous
family, they were taking me from one place to another, I was also at Children's
Home School in Ibadan, Oyo State, then I came to Lagos. Right from that place,
I had been acting at end of the year parties of schools, they would invite us
to come and do this and that. I met the late Ojo Ladipo at Christ Cathedral
School, we would call him to come and see what we were doing, that ours was
better than their own and he would be arguing that his own was better, that was
in 1963.
So, in 1964,
we came together as friends and we were doing rehearsals, we were converging at
a playground in the evening. We were always practicing and all of us were doing
whatever we liked, so we decided to appoint someone as a leader and we put it
to vote and the late Ojo Ladipo emerged as our leader, which was why we called
the name of the Group Ojo Ladipo Theatre Group in 1964. After his death in
1978, we changed the name to Awada Kerikeri Organisation. It then became like
before, the late Edokpolor and Mary Etim were with us, so also Adebayo Salami
(Bello). Mary Etim and I were childhood friends, then we said 'who was going to
be our leader,' they said it was automatic that I should be the one, but I
rejected it, I said I could not lead the group. So, we needed a man that was
capable, and they said I should choose. I said, I wanted Mr. Adebayo Salami to
be my boss, they couldn't believe it. That is why as an individual, anything we
do, we must do it very well. Our first performance at Glover Hall, Bello used
his first bicycle allowance at the Federal Ministry of Works and Housing to
print the poster to stage 'D Madam.' If you are in a place and you are working,
don't think nobody sees you, Bello showed interest, I took his application,
when he joined Ojo Ladipo Theatre, he paid to join. You know our parents don't
want us to do this work.
So, how did you convince your parents to
become an actress
I did so
with the help of the Almighty God that says this work is yours, if God sends
you this work, you will do it. It was Professor Wole Soyinka that wrote a
letter to my guardian and she was surprised because she had initially threw my
personal effect to where we were practicing that I could not live with her
again since my parents did not want me to do theatre, but something else. It
was that letter that encouraged her and she was surprised how I knew Professor
Wole Soyinka. I told her Soyinka was one of those, who were telling us to come
for audition, then we go for a course and then straight to the university just
like the diploma they do now. That was how my guardian accepted me and gave me
full support. So, I went to a school of drama, which is why I can cross from
the left to the right.
What did your parents want you to do
Ha, by that
time, they wanted us to do police, customs or anything force, but I told them
'this is what I have to do and this is what I want to do, please, let me do
it.' Even I always praise my guardian, she really supported me and God helped
me.
Did you have any role model that you looked
forward to prior to your joining acting
You know our
culture, they don't want you to do theatre, they don't want you to do a
profession that you will expose your body, people respected our culture so
much, even if you could not cover your body, you wear your wrapper up to the
chest, you put on the beads, they would say 'this is culture, may be she is a
princess.' You could not expose your body then, that was what we were doing and
that is what I am still doing now.
You started before your marriage, did your
husband support your acting career after marriage
No, no, it
was terrible, it was God that helped us with the help of the likes of the late
Adediran Ajijedidun and the late Art Alade, who called my husband and counseled
him that the kind of work I am doing is
not just for anyhow girl, but to make people laugh away their sorrow. But
despite that, before he accepted that I should do the work, it was trouble
everyday. Even my late boss, Ojo Ladipo had to talk to him. I now told him that
'if you cannot allow me to do this work again, then leave me alone, if you love
me, love me with my job since I am not stealing.' Eventually he accepted with
the help of God, but we didn't know he would die young.
I think why he did that was the issue of
sexual harassment, your boss was a man and then it was a traveling theatre
thing, or what do you think
Yes, I
traveled a lot with my children, I took them anywhere we went, but when they
are two years old, I leave them for my mother. We had traveling theatre. Of
course, there is no man that would not suspect his wife in such a scenario and
there is no man, who is not jealous, but you have to limit it and try to trust
your wife, the wife should also trust the husband. Once this is the work one
wants to do, you should love him with the job and I told him that 'you saw that
this was what I was doing before you proposed to me.' All he thought was that I
would stop doing the work after our marriage. But the thing has a spirit, I
couldn't leave it. Even then, when I slept, I would be dramatizing based on our
rehearsals and plays and my husband would see me moving my body and he would
say 'what is wrong with you,' and I will say 'I didn't do anything.' It is
spiritual, if you don't follow it, it would affect you. Whoever is sent by God
is different from someone, who just dabbles into it, in most cases, such people
run out of it.
Do you have any regret or sad occurrence
since you started the work
I don't have
any regret in doing the work. The only thing that shook me happened around
1974, when I lost a child, while acting on stage. He was with his paternal
grandmother, he was seven or eight years and they came to call me that he died
that night, I had to rush down to our home town. I lost a second child, when
Ojo Ladipo (Baba Mero) died. The two of us were at the burial, I woke up, but
my baby did not wake up. It really discouraged me, but I summoned courage that
I had been doing the work for long; I won't allow all these to stop me. I
believe what has happened has happened and that God would take care of other
things and take care of the rest. It actually shook me to the extent that I
almost quit acting.
Today, what
would you say makes you happy as an actress, I mean something like an
achievement
It is God
that does everything, what makes me happy most is that people accept me
everywhere I go, even abroad. I am happy too that I make people laugh away
their sorrow in the process of welcoming us, whereas you see that some people
are detested because of their deeds. People see you and they are happy, that's
all. I am happy that people love me for my profession.
50 years on stage, but people are saying
cinema has gone, theatre has gone and things like that, would you compare
theatre then to now, what is actually missing in the industry
What is
missing is stage performance, which led to what we are doing now. There is no
place I have not been in Nigeria from traveling from one place to another. We
would act here today, tomorrow, we are in another place. But suddenly, home
video came and we started forgetting about stage performance. We were doing
celluloid, and we said home video would kill celluloid, but people said it was
not so. The late Dr. Hubert Ogunde warned us not to do home video that it would
spoil our job. If we can go back to celluloid or stage play, it would be
better. Stage is real, it is live, it is different, if you want to do part of
bush, you will have to cut trees and put it there. We need to go back to cinema
and stage plays gradually.
Kabirat Kafidipe, Lanre Hassan & Dj Melody.jpg |
Look at the time you used to act on
television in the area of stories; it is like those days of morals are gone. As
a veteran, how do you think we can go back to those days of morals
In our time,
one would sit down to see what we want to do as a play. We would look at the
environment, and we would develop the story and the story would affect someone
and people would start relating it to themselves and learn from it. But
nowadays, people just do what they like, but you need to sit down together and
see the kind of story you want to write, not just writing anyhow story.
Personally, if I want to work with you, I ask for the script and look at areas
of amendment, I will ask for the director and offer suggestion and if they
don't listen to me, I will drop the script. But, for those, who listen to
advice, we work with them. The world is changing and things are changing, someone
used to say we should thank God that we were there before Nollywood and with
Nollywood, we are still there.
In Nigeria today, people believe that the
first film on home video was done in 1992 with 'Living In Bondage,' which was
why they are celebrating 20 years of Nollywood. Would you say home video
actually started in 1992
Video had
been in existence for long, some of our stage plays like 'Kini Show,' were on
video tapes, but it was not sold, when we decided to join them, we did “Asewo
To Re Mecca,' in Awada Kerikeri Group then, which became popular. Most of our
plays had been in the video, but they were not commercial, 'Living In Bondage,'
started the commercial aspect of home video. There are documents about our late
actors/actresses, who worked hard like the late Pa Kola Ogunmola, Oyin Adejobi
and others. We did many things with WNTV and other stations. I don't believe
the film industry is just 20 years old.
It was believed that the late Alade Aromire
pioneered Nollywood in 1986 with his film, 'Ekun'
Yes, it is
true, but then home video was not popular and it was not commercial, it became
commercial later. Alade did his best too, but it all started from us.
What is the biggest job that you have done
All my jobs
are great, I cannot point to any particular one, everything I did was okay, may
God help us to be more successful. All my jobs are good, we also do television
soaps.
What have been the secrets of your success
The thing is
that when you are doing this job, you must be educated no matter how small. If
you can speak Yoruba, you should also speak English. In those days, we were
doing strictly Yoruba and people thought we could not speak English; it is not
like that, we just chose to follow our culture. But for them to know that we
can do the two, we started doing English soap operas and some other works.
If you look
at some of the films we release these days, the theme are almost the same and
they portray violence, we don't go into morals and things that will give us
much lessons, they are all about violence. Is it because of modernization
Modernization
is a factor and it might not be the only thing. With modernization, we should
be mindful of what we produce. Most of the movie marketers dictate the pace,
things are turning. You will see that there is violence these days and we have
to produce films to teach people that violence is not good. At the end of the
day, you will see that we always tell people that the end of evil or violence
is not good. We use them to warn people not to do evil, it is what they see
people doing that they write about. If you do evil, you will not end well. The
repercussion will definitely come no matter what. Atimes, we say 'oh, why did
they allow this person to die,' atimes, the antagonist might not die, but he
would suffer. They are meant to educate our children.
You always act as a no-nonsense woman in
movies, you always appear like a disciplinarian, is that your nature or is it
the scripts
It is the
scripts, when someone is acting a role, people would study you and give you the
role, I do other roles as an all-round actress. Once you study someone, you
would know what role he/she can play, may be a rich man or a gentle person. All
the same, I don't tolerate unwarranted behaviour.
What are you veterans doing to stop sexual
harassment and all kinds of bad behaviour in the industry
Sexual
harassment is not peculiar to theatre, it is everywhere, if you go to the
markets or anywhere, it is there. It is for you to know yourself, to keep
yourself, all those who wear skimpy dresses, we talk to them, we pray they
would listen. We advise them on the scripts, the Nigerian Censors Board is also
trying their best. If you see someone, who wears Bikini or so, there is a
reason for it in films, we call it shows. In the days of stage plays, we had
opening glee and closing glee and the costume we wear covers our body, but we
do things to attract the people's interest. After the stage show, you don't
have the right to wear the costume on the streets. So, there is a purpose for
those dresses in films, may be the person is playing a particular role, it is
not meant for outings, and we have even specified the kind of dresses we wear
in films because children watch these films.
Is any of your children in theatre
Yes, Mr.
Wale Adeshina (Walata), he works as a Production Manager and he acts.
What of your personal films that you have
produced
I have
produced 'Ayo Okan,' 'Sure Funmi Baba,' and many others.
What do you have to say about piracy
That is
death injection, if you release your film today, they would pirate it within an
hour, if you have a film and you think you want to go and show people when you
travel, they would have watched it before you get there. Even, our sponsors are
not encouraged because the works are pirated, what you spent about N2 or N3
million to produce, you see people pirating it anyhow.
(c) First Weekly Magazine
0 comments:
Post a Comment